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Though the title might not suggest
it, I had wanted to end “The Tingles,” as we had begun it (Lighthouse
of Love), on a slightly more upbeat note. 
Now looking back, I can’t say where exactly I located that note, the
more upbeat one.  But I think it’s in the
last line of the refrain, “You can lean on me if I can lean
you.”  True, it’s hardly The
Youngbloods calling on us all to smile on each other, but at least there’s a
hint of an exchange of human warmth, though perhaps significantly qualified by
that “if.”  You can lean on me
IF I can lean on you.  I could have
written:  You can lean on me AND I can
lean on you.  But I didn’t because
“and” seems to presume to much, and honestly, you can lean on me only
if I am allowed to do the same.

So that’s the upbeat note as best I can locate it.

As for the rest of the refrain, I must insist on the
pessimism:

“Nothing now anyone can do
Just have to buckle down and try to see it through.”

Sometimes that’s just how things are.  It–whatever it might be (someone dying;
dreams gone up in flames; words spoken that can’t be taken back; really bad
mistakes made)–simply cannot be undone or fixed up or glossed over.  All that you can do–if that–is try to get
though it with whatever dignity you can muster.

The last stanza is perhaps a bit too existential (in the
existentialism sense).  But I just can’t
get Sartre and Heidegger out of my head…with their idea of our having been
flung into a world we did not make.

Death again.  This
time about dying anonymously, as it were. 
A body pops up in the lake with no I.D. or identifying marks and then
gets buried in an unmarked pauper’s grave. 
That’s a downer.  But maybe
too–given how noisy the song is–it’s about making a joyful noise, in spite
of everything: as in the line:

Somebody’s body
Rise on angel’s wings
Somebody’s body
Sing, Sing, Sing

Maybe, in relation to the whole, we all die
anonymously.  Sure, we all have a smaller
social circle.  But just beyond that the
circle spreads out to those other people we may even share a few moments but pass
by generally in our daily rounds.  I
noticed, one day, at this place where I worked out, that an older guy, who was
usually there all the time, had not been there for some time.  So I asked another guy if he knew anything
about that guy.  “That guy,”
because I couldn’t remember that guy’s name. 
I indicated where that guy usually sat and said that I thought he was
from Wisconsin and had worked for Sears. 
And the guy says, “Oh that guy. 
He died I think.”

So I worked for a while on a song called “That
Guy.  You know, that guy.”  But I never finished it.

 This is Brother Dan’s song from top to bottom.  He plays all the guitars and percussion and
sings it.   I do a little back up.  He also wrote it, some time ago, back in the
80’s, when he and his wife, Kim, had a punk band.  I don’t know what they were calling
themselves at the time.  Goodbye Blue
Monday?  Mr. Pleasant?  I don’t know, as I said, but I always liked
the song from the first I heard it.  And
it mixes well with the overall malaise of the CD.  It’s about a suicide, I think.

If “Around Once” was lugubrious, this one is at
least maudlin.

It’s about insomnia, about suddenly being wide awake at 3 AM
and not being able to get back to sleep again, knowing that you have a long
hard day ahead, and will need every bit of energy you have to get through it,
yet here you are at 3 AM wide awake with the minutes slipping by.  No rest for the wicked, eh?

I hate it.  I have
been insomniac for years.  At one point,
years ago, I used as my soporific cheap wine and was for some time in effect a
situational alcoholic.  But that proved
counter-productive, and  anyway, I
discovered prescription meds.  Before I
couldn’t get to sleep at all.  With the
meds, I got off to sleep OK but started waking up at aberrant hours, like 3
AM.  Now apparently, as a senior citizen,
according to what I have read, I am likely to have only “fragmented”
sleep the rest of my days.

I don’t know why exactly but the song makes me think of a
bit from Freud’s essay on Narcissism:

We should then say:  the sick man withdraws his libidinal
cathexes  back upon his own soul, and
sends them out again when he recovers. 
‘Concentrated is his soul’, says Wilhelm Busch of the poet suffering
from toothache, ‘in his molar’s narrow hole.’

I was aware of something like this, I think.  The first two parts of this song are very much
concentrated in my molar’s narrow hole. 
I tried to break out of the narrow hole in the last part by suggesting
there are other people–poets, lovers, soldiers–doing other things at 3
AM.  But true to form, I return in the
last line to narcissistic grandiosity claiming that, as I lie there, I hear the
world turning round.

This is one lugubrious sucker.

Everybody dies. 
We all get to go around just once. 
What’s the big deal?  I don’t
know.  But I think it is.

As I wrote I thought it was in the genre of the
stages of life poem.
But the song didn’t turn out like that. 
The first stanza is sort of about what life looks like when you start
out.  Much potential seems to lie
ahead.  Things look different in the
middle stage; mostly regrets at things not done and sadness at how quickly time
has passed.  And the last stanza is about
how things look right at the end: pretty bleak.

Unrelieved lugubriousness.

The emotional key to the song for me is the line, “And
you ain’t got time to unpack your trunk.” The psychoanalyst Heinz Kohut
tries to differentiate the classical theory (Freud) of man [sic] as suffering
from guilt from what he calls “tragic” man [sic].  The former he says:

…cannot illuminate the sense of fractured, enfeebled,
discontinuous human existence; it cannot explain the essence of the
schizophrenic’s fragmentation, the struggle of the patient who suffers from a
narcissistic personality disorder to reassemble himself, the despair–the
guiltless despair, I stress–of those who in late middle age discover that the
basic patterns of their self as laid down in their nuclear ambitions and ideals
have not been realized.

That’s a long way of saying: and you ain’t got time to
unpack your trunk.

Hey…Brother Dan and I made a CD over this last year.  You can listen here.

Friends gave me a copy of Ellen Schrecker’s The Lost Soul of Higher Education for my 65th birthday, and I read it cover to cover while working out on an elliptical machine. Nothing much new in it, at least to me; I have lived through much of the history she recounts, though I wasn’t really conscious during the McCarthy Era. Aside from that (she writes a good deal about attacks on academic freedom), the book was more like a trip down painful memory lane. Not depressing exactly, since, in effect, I was pre-depressed (before the reading) by what I have observed over the last 30 plus years. I suppose you could say the read simply affirmed what I had observed and conjectured. There’s always a bit of pick-me-up in being affirmed, even if what is being affirmed is negative. Maybe that was why–I can’t think of any other reason–I decided to email the author and tell her I had read her book and appreciated it. So I found her email address at Yeshiva University and sent her a note. She emailed back saying my note had made her day. That’s nice to think I had helped to make somebody’s day, and it didn’t take that much effort either. I think I should do that more often, email the author of the books I read. Though I don’t read many books these days, and many of the authors I tend to read are dead. So you can’t email them.